Posts Tagged ‘Miss Kill’

12th July 2024

James  Wells

This may be Lanna’s debut single, but she’s by no means new to the industry, and has featured a couple of times here at Aural Aggravation with her band Miss Kill, who have garnered some thumbs up for their feisty grungy / alt rock sound.

Initially, I felt a sense of disappointment, assuming – erroneously, as it turns out – that the duo had parting and would never fulfil the early promise and future potential. It came as a relief to discover that Miss Kill are thriving, and have an album out soon, but in the meantime, Alanna is launching a parallel solo career. It’s a twofer!

But what’s interesting about Lanna’s debut single is that while her bio indicates a continuation of Miss Kill’s energetic flight, their emotive grunge stylings, again referencing inspiration from ‘Alternative, Garage and Pop artists like The Kooks, Hole, Cherry Glazerr, Chris Isaak, Placebo & Pearl Jam’, this feels like quite a departure. The premise is that, ‘rather than whine about breakups and having your heart broken’, ‘Forever’ ‘is all about the amazing feeling you get when you’ve found your special one.’

But for a song that’s so much about an effervescent emotional state, it’s remarkably subdued, with a soft, delicate piano, introspective vocal and backed-off drums with a hushed rimshot keeping slow and steady time. It may be a million miles wide of the mark, but this debut sounds for all the world like Lanna is pining for the thing she’s lost, a sad celebration for the loss of a special one as she finds herself bereft and alone.

That doesn’t mean that ‘Forever’ isn’t true to those principles of grunge and alternative rock, but probably feels more like a mid-album slowie than a lead single, and is more Chris Isaak than Pearl Jam or Hole. Still, it’s a well-realised song with an emotional weight that’s conveyed with sincerity, and leaves many doors open for future releases.

AA

Lanna image 1

16th September 2022

Christopher Nosnibor

Bristol alt-rock / grunge duo Miss Kill have been making waves around their Bristol locale both live and with radio play, and, more recently, beyond, gripping us here at Aural Aggravation back in July with ‘Drive’, which had plenty.

It’s the lead track on this five-tracker, the title of which succinctly sends a message of taking no shit, and it sets the tempo and the tone, easing in with a gently rolling reverb-soaked guitar and soft, rolling drum and mellow bassline painting a scene steeped in nostalgia while building the volume and packing a solid yet melodic punch.

‘Twilight’ is darker and denser, more emotionally wrought and fraught, a tension tearing through the thick overdriven power-chords that erupt from the quiet, brooding verses. It is, of course, the quintessential grunge format, and they’ve absolutely got it nailed, and with a song that kicks you in the gut while at the same time pulling the heartstrings with a shoegazey twist. It’s a trick they repeat on the boldly guitar-driven ‘All You Gotta Do’, and again, the verses are hushed, reflective, contemplative, and so when the chorus explodes, the impact is immense.

The vocals are integral: powerful, but not simply belting out the lyrics, but delivering them with palpable passion and emotional integrity, to the extent that they convey more than merely the words themselves. It’s singing with feeling, and you feel it.

There isn’t a weak song on here, and if ‘I Wanna Let You Know’ again calls to mind any classic 90s grunge act you could care to name, there’s that bleakly melancholic undertone with a troubled yearning that’s reminiscent of Come, who always took that sound to another place. The same is true of the final song, ‘Someone New’, which showcases a more downtempo sound, and highlights their musicianship and tightness of harmonies.

Debut releases don’t come much stronger than this, and Don’t Tell Me Twice looks set to place Miss Kill firmly – and deservedly – in the national spotlight. The songs are strong, and their delivery radiates quality, and also passion. This is a band that has the power to touch people, to affect them, and it’s a record (albeit virtual) you want to play over and over again.

Miss Kill Artwork

22nd July 2022

Christopher Nosnibor

If ever there was a song so steeped in idealisation and escapism, Miss Kill’s ‘Drive’ sets new heights. It isn’t that they’ve ditched their grungy alt-rock influences, but this new single sees the duo, consisting of Alannah and Felicity Jackson in a much more reflective mood.

As they pitch it, it’s more Chris Isaak and Tom Petty than their usual touchstones of Hole, Placebo, or Pearl Jam, and in context it makes sense. It’s certainly got the easy, breezy, radio-friendly airiness of that classic Americana, but it also balances grungy bite with pop tones in a way that’s reminiscent of ‘Malibu’.

‘Asked my babe if he’d come for a ride yeh. I really just wanna get in and drive Away / Through the sun with the music blaring / Driving past I got everyone staring / I don’t think we’re ever coming back’, they sing.

It’s that perfect image, that dream, of driving away, of cruising into the sunset, never to return, to something new and something better. It’s just like the movies, just like in the songs on the radio. Freedom! Liberation! Life!

Who doesn’t fantasise about this ever? Who doesn’t want to ditch their boring ordinary life and crap job and simply live life like a fairytale? Or, better still, a road trip? To jump in a car and simply drive is the absolute epitome of the fantasy of leaving everything behind.

Reflecting on the reality is depressing, but this offers hope and prospects, like it could happen. It’s not for me to say that it couldn’t, because well, know knows? Anyway, it’s three and a quarter minutes of uplifting, melodic time out of life where you can believe in the dream.

AA

Miss Kill - Artwork