Posts Tagged ‘Libertino Records’

KEYS return with Acid Communism, their boldest and most expansive record to date – a rich and unfiltered document of collective creativity, sonic exploration, and philosophical curiosity. Released by Libertino Records on Friday 18th July, the album draws inspiration from the late cultural theorist Mark Fisher, whose unfinished work left a lasting impression on the band.

“We were captivated by the poetry of those two words,” Matthew Evans (KEYS – vocalist and songwriter) explains. ACID COMMUNISM isn’t just a title – it’s a guiding principle. ACID symbolises creative play and experimentation, while COMMUNISM speaks to the strength found in (comm)unity. In a time when the internet often amplifies individualism and leans into certain ideologies, the band wanted to celebrate togetherness and collective expression.

While Acid Communism isn’t overtly political, it does pulse with a quiet sense of purpose – to resist isolation, to reconnect with others, and to celebrate the kind of shared, DIY spirit that binds bands, friends, and scenes together. It’s about building something together, rather than standing apart.

The band took a hybrid approach to recording. Much of the album started life on 8-track tape before being moved into Logic, capturing a blend of home-recorded warmth with digital precision. Musically, it draws from the live, freewheeling energy of JERRY GARCIA and the lo-fi intimacy of their lockdown-era album HOMESCHOOLING. The result is a sound that’s raw yet refined, unpolished but deeply intentional.

Across its twelve tracks, Acid Communism flows through a variety of textures – from sun-scorched psych-pop and angular guitar riffs to gentle, piano-led introspection and atmospheric washes. It’s a record that favours connection over perfection, instinct over polish.

The recently released double A-side ‘Your Shoes’ / ‘The Greatest Joke of All’ coincides with the announcement of Acid Communism, offering a glimpse into the album’s contrasting emotional tones’

Hear ‘Your Shoes’ here:

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Like much of the album, this song was initially composed by Bethan on the piano. It features Ynyr and Bethan on trumpets but also features Ioan Hefin, the man responsible for performing Welsh music’s greatest and most iconic trumpet solo in Eryr Wen’s Gloria Tyrd Adre. It’s a song about love and the feeling of trying to comprehend the magnitude of the love that you can feel for someone. It can relate to any form of love but in this instance it was written when their daughter turned 3 years old, with Bethan trying to articulate and comprehend the outpouring of love felt for a child and the hugeness of childbirth; the challenge, escalation, triumph, glory and the raw vulnerability of it all.

Watch the video here:

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