Posts Tagged ‘Ecce Shnak’

Serving as a bridge towards their full-length album Dandy Variances album, out later this year via Records, Man Records, genre-defying NYC outfit Ecce Shnak deliberately revisit ‘Katy’s Wart’, a hidden gem originally released on their 2019 Joke Oso album. Telling a visceral tale of justice, the new video introduces a cruel madman, who finally meets his end at the hands of five purple goddesses of righteous vengeance.

The story is presented in two formats: as a three-minute ‘Animated Music Feelm Version’, and an immersive ten-minute ‘Extended Feelm Version’ – which we’re sharing here – with a dramatic backstory that builds tension and context, centered on a well-dressed maniac lacking basic human dignity, whose harmful acts finally trigger a cosmic intervention. The heroic twin sisters, played by Rachael Rae Robertson and Rebecca Robertson, ultimately fend him off with the help of otherworldly agents of chaotic justice. In a supernatural animated turning point, five spirits are conjured to deliver him a dose of instant karma.

A blistering indictment of bigotry and cruelty, this surreal narrative was brought to life through a collaboration with some of the industry’s most innovative creative minds. The project’s striking visual identity is the work of the production-direction team of Hollye Bynum and Sam Owens, as well as the band’s own David Roush. The eery and mind-boggling animation was crafted by the industry titans at Titmouse Productions.

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Based in New York City, Ecce Shnak (pronounced Eh-kay sh-knock) is made up of David Roush (composer, bassist and one of two singers), Bella Komodromos (vocals), Chris Krasnow (guitar), Gannon Ferrell (guitar), and Henry Buchanan-Vaughn (drums). With this high-fidelity animation, ‘Katy’s Wart’ is now a definitive piece of Ecce Shnak lore, bridging their historical catalogue with their ambitious future. In revisiting this slept-on art, they are clearing the path for new music and film works.

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NYC-based quintet Ecce Shnak (pronounced Eh-kay sh-knock) presents ‘Fight Song’ (Live), a hard-hitting track with a potent message, presenting an ironic take on violence and addressing today’s rampant spread of hate-filled vitriol.

This is the second taste of their Backroom Sessions EP, following the downtempo groove-inducing opus ‘Prayer On Love’ (Live). Recorded at the Backroom Studios in Rockaway, NJ, the EP is out May 22 via Records, Man Records).

Rejecting conventional aesthetics, Ecce Shnak whimsically incorporates diverse artistic expressions, tackling profound subjects and intriguing minutiae with remarkable clarity. Building on the success of their recently-released debut ‘Shadows Grow Fangs’ EP, this new release previews June’s West coast tour with platinum-selling legends Spacehog and EMF.

Ecce Shnak is David Roush (composer, bassist and one of two singers), Bella Komodromos (vocals), Chris Krasnow (guitar), Gannon Ferrell (guitar), and Henry Buchanan-Vaughn (drums). Where fervent brilliance blurs into absolute, uncontainable madness, there resides Ecce Shnak, balanced precariously upon an illuminated sonic high wire.

“The hardcore slammer ‘Fight Song’ is not a Katy Perry cover. Instead, it is a djent-forward ramble on the ubiquity of violence in human life, be it literal or metaphorical. It was originally an ironic joke when it was released on our first EP, Letters to German Vasquez Rubio in 2012,” says David Roush.

“We decided to change the lyrics and release a new version in reaction to the rancid bigotries that so plague the human spirit nowadays, in America and elsewhere. The final line is a call to defend our basic human freedoms while we still have them: ‘Fight for your right to fight!’”

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