Posts Tagged ‘devastation’

Dret Skivor – 6th February 2026

Christopher Nosnibor

Of Dave Procter’s myriad musical projects, Legion of Swine may not be his most endearing, but it’s certainly his most enduring – a vehicle for noise, often at the harsher end of the spectrum – with a highly political angle, and usually involving some form of porcine pun.

One of the orange fascist’s recent outbursts not only created a stir in the media, but gifted LoS with a title for this latest blast of angry noise. The notes which accompany the release make it clear where his thoughts are right now:

‘Who knows how many times that massive arsehole has his name printed in those files? Will we ever see them un-redacted before he threatens to invade everywhere/nowhere/nuke the planet/shit his pants/get bruised from too much handshaking and other bollocks? The soundtrack to the end of the world? Who knows. Enjoy it while we still can.’

To articulate quite how all of this feels in words is difficult. There’s certainly much anger, but also fear and confusion. Lately, the news has been such that had it been pitched as a plot for a movie, it would have been laughed out the door for being so ridiculously far-fetched. As such, there’s an air of unreality to it all. Is this shit all really happening? At once? And this is why everything is so bewildering. It’s not just the Epstein shit – which is even wilder than the wildest conspiracy theories about global elites – but it’s ICE, it’s bombing Venezuela and kidnapping the president, it’s plotting to turn Gaza into a holiday resort, it’s angling to take Greenland, it’s the rewriting of history, it’s the renaming of things, and the endless stream of outright lies and truly insane ramblings.

“quiet piggy!” is twenty-five and a half minutes of obliterative harsh noise, a relentless sonic blizzard, a solid wall that batters every sense, tearing from the speakers with a force that’s positively physical. It’s like standing in a hurricane, or besides a jet engine. The best way to appreciate this is at high volume, to let the ferocious blast immerse your very being. The effect is, seemingly counterintuitively, quite soothing. Like running a marathon or climbing a mountain, it take the focus away from all of the shit swirling around in the ether and crowding the mind, affording mental relaxation, while blasting away the stress and agitation – at least until you realise that it probably sounds remarkably similar to the detonation of a nuclear bomb.

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For this follow-up effort to their 2021 debut album Blacken the Skies, the Terminal formula of industrial glam has been updated with ‘more industrial, more glam.’ Mainman Thomas Mark Anthony also makes a strident case for being his genre’s best wordsmith, weaving grand themes of power, zealotry and corruption via complex rhymes and anthemic choruses. Picking up where its predecessor left off in its excoriation of society’s dangerous hypocrites, the very first line on the new record is “How many guns would Jesus buy?” Plato’s Republic provides the album title and theme – that an unjust society is a doomed society and democracy in itself is no defence against demagogues or tyrants – while Anthony’s sonorous baritone is prominent in the mix as he ponders existential themes of religion and mortality.

Compared to the rapid-fire delivery of Blacken The Skies, the new Terminal songs are wider in breadth and depth as well as longer in duration, while experimental influences are evident in the orchestral-inspired title track and in the hard glam of ‘Don’t Be Taken Alive’, which is believed to be the first industrial blues shuffle. The album includes four instrumentals among its thirteen tracks.

The New Republic is dedicated to the late Metropolis Records label founder Dave Heckman.

The soundtrack to a world unbalanced, reeling, spinning out of control and running out of time, Terminal allies industrial music and glam rock with trace quantities of dark techno, synthpop and raw machine recordings. Each of their songs is a broadside against the atrocities of lost humanity and the devastation of our planet.

Terminal is the work of singer, songwriter and multi-instrumentalist Thomas Mark Anthony. A lifelong anti-apartheid and civil rights activist over a life lived in South Africa, Canada and the United States, Anthony is joined by the US-based Terminal Live Unit for his group’s powerful and confrontational live shows.

Check lead single ‘The Sin of the Sanctified’ here:

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