Posts Tagged ‘Bivouac’

Agh. We shouldn’t dig this… but we do. It’s kinda grunge light, a bit Weezer (ugh),and early Foos (meh) but then it’s also a bit Bivouac, and so on, and it’s hard to hate it in a nostalgic kind of way…

Over the past decade, it’s become increasingly in vogue for bands to pay lip service to 90s alt rock, but many of them capture only the most surface level cosmetic elements, missing the critical components that defined that decade’s underground scene. A chorus pedal, a Big Muff, and a flannel don’t go far on their own merits. To put it bluntly, many groups fundamentally do not “get it”. But Baltimore, MD’s Dosser absolutely does.

Where many of their contemporaries are little more than thinly-veiled pop punk acts doing retro cosplay, Dosser gets at the core of what made 90s guitar rock such a compelling force. From leads that hearken back to early Weezer, massive riffs that evoke Jawbox, and razor-sharp pop-rock sensibilities that bring to mind the Foo Fighters’ debut LP, this is a band synthesizing the best parts of various forms into their own potent formula.

Formed in the summer of 2018 by Will Teague, Bret Lanahan, Eric Dudley, and Max Detrich, Dosser’s debut LP finds a band playing at a level well beyond what their short lifespan might suggest. Coming out on Really Rad Records in January 2023, Violent Picture / Violent Sound is about as strong an opening volley as it gets.

Of the track, Dosser’s Bret Lanahan (guitar, vocals) says: "Since I was a kid I’ve struggled greatly with crippling anxiety and depression. I didn’t understand when I was younger what either of those things were and always thought something was wrong with me or I had something bad inside me making me feel this way. I used to have this kind of weird day dream a lot that if I could just open up my chest and let whatever was inside of me that was making me feel so terrible just spill out, maybe I would feel better.

It wasn’t a bloody scene or anything like that, I guess it was just the only way my younger brain could picture getting rid of bad thoughts. As I got older and had a better understanding of what mental illness looked like I was able to get help in the form of medication. The song goes back and forth with the feeling of being trapped in one of two corners that I think are pretty common in people trying to deal with or treat mental illness. Either you treat it with medication and get to a point where you feel almost nothing at all and totally empty, or just deal with it and have such intense feelings that you can hardly bare it. Finding a release is the hardest thing to do. The lyrics are fairly simple but they hold a great weight for me."

Listen to ’Joy Thief’ here:

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Photo: Zack Pohuski

3rd March 2017

Christopher Nosnibor

No Scary Bears Facebook page sees the band lay out their aim as ‘simple, alternative guitar music inspired by the bands they love and you used to find on MTV before the arse fell out of commercial music’. With a handful of demos streaming on-line and receiving airplay on BBC Introducing, they’ve been building momentum ahead of this, their debut single release.

Born out of a new permutation of hard rock act We Could be Astronauts, No Scary Bears present a more grunge orientated sound: the guitars are chunky and nicely up in the mix. But while every other band drawing on the class of ’92 for inspiration seems to want to be Nirvana but poppier, with strong melodies and more nuanced approach to dynamics, No Scary Bears more call to mind Soundgarden and Bivouac with ‘Mail’ and accompanying track ‘Dial In / Dial Out’.

For people of a certain age (mine of thereabouts), it’s hard not to feel a pang of nostalgia for music of a certain vintage, and No Scary Bears capture that feel extremely well. The fact the release contains three tracks harks back to the old 12” and CD single formats – and the fact there is a limited CD release (rather than a voguish cassette editions) is another detail of note, and in all, it’s a very promising start.

 

No Scary Bears