Posts Tagged ‘Barnsley’

Returning after an eleven year absence, one of the UK’s most exhilarating death metal infused sludge bands TRUDGER return with their brand new album VOID QUEST, to be released on Vinyl, CD, Cassette and Digital formats on August 29th through rising label Floodlit Recordings (home to Pijn and Still). The Barnsley, Yorkshire based quartet made a strong name for themselves in the UK’s heavy underground scene, quickly becoming fearsome contenders on the UK’s live circuit, bringing a raucous hardcore energy to their hard-edged progressive sound. Trudger will now make their much overdue return, following up their 2014 debut album Dormiveglia. Void Quest will pick up right where Trudger left off just over a decade ago without skipping a beat, promising to push their intense, chaotic, blistering and unrelenting force to the next level.

Trudger have reunited with producer and engineer Joe Clayton (Pijn) to realise their heaviest and tightest set of songs to date, building riffs upon riffs, with rhythms that won’t sit still. "We’ve all had our own individual creative outlets over the years, but coming back together to create this album feels like it was the best decision we could have made." Trudger leave behind an impressive live legacy from their original phase of activity, performing across the UK with the likes of Oathbreaker, Conan, Downfall Of Gaia, Bongripper, Bismuth, Slabdragger, Boss Keloid, Coltsblood and Undersmile. Their last show to date saw Trudger opening for Primitive Man and Sea Bastard in Manchester, back in April 2015. Trudger are set to introduce their blistering sound to a new legion of metal fans, whilst sending a fierce reminder to their original fanbase.

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Trudger

Damnably – 26th August 2016

Christopher Nosnibor

Barnsley: a long way off the musical map, eclipsed by Leeds and Sheffield. Yes, hometown of cult goth rock act Danse Society and a burgeoning post-punk inspired alternative indie scene and generally represented by the micro-label Of National Importance, but nevertheless, pretty much off the radar. Enter Bruja, a band credited with creating a ‘DIY junk-punk scene that has seen them hosting their own gigs, pressing up CDs, booking tours and making their own analogue VHS Videos to lighten the depressing reality of zero hours contracts in the service industry, unemployment and increasing xenophobic hostility’.

This once again returns us to what’s become something of a recurrent theme of late in my reviews on these pages: the depressing way in which austerity Britain and particularly post-Brexit Britain is a dark and dismal place, as depressed and divided as in the late 70s and early 80s. I was barely a child at the time, but essentially grew up against the backdrop of the miners’ strike and the Falkland’s war, followed by the Gulf War. War on TV in the 80s and 90s was a revolution in itself: now it’s wallpaper, but coupled with the effects of a long-term conservative government and the sense that history is repeating with a grim predictability whips up a cyclone of bleak feeling.

Impressively, Bruja have landed themselves on Damnably – home of Shonen Knife, Wussy and Oktoboke Beaver –  for the release of their new single. Promising ‘post-industrial, South Yorkshire modulatory desolation from a young band with a mean age of 24’, ‘Tori’ is a magnificently catchy post-Placebo new-wave influenced tune with a tremolo-heavy flanged-out lead guitar and driving rhythm section. Counterpart ‘Sculie’ is infectiously pop at its core, but propelled by some energetic drumming and a guitar sound that shimmers with the sound of an early 80s chorus pedal.

Times may be bleak, but it’s a good time for music. And this is good music.

 

Bruja