The Incidental Crack – Before the Magic

Posted: 16 September 2020 in Albums
Tags: , , , , , , ,

Soundtracking The Void – 18th September 2020

Christopher Nosnibor

Before the Magic is the debut from The Incidental Crack, a new collaborative work from Front & Follow and Gated Canal Community’s Justin Watson and Rob Spencer, alongside Simon Proffitt, who also performs as Cahn Ingold Prelog and The Master Musicians Of Dyffryn Moor.

Under the seemingly eternal lockdown and difficulties arising from distancing, which continue to loom large over all things creative and musical where collectivism and collaboration are concerned (live performances are another essay altogether, and their absence will continue to leave an immeasurable void for so many and on so many levels), The Incidental Crack is a project that could only exist thanks to the Internet, which saw, ‘a six month period of remotely sharing atmospheric field recordings, samples and random noise, culminating in studio sessions focused on detailed processing and sound manipulation.’

The album’s four tracks are significantly differing in length, ranging from a ‘mere’ six-minute snippet to an eighteen-minute exploration of the deepest, darkest tunnels

Why are children’s voices always so unsettling? Especially samples of chirpy, innocent calls and singing, when juxtaposed with murky, dark ambient drones? I suppose it’s not least on account of that unheimlich sensation instilled by those quite specific contrasts of carefree naivete and gut-clenching fear. Individually, these sensations can be processed and compartmentalised, but together, they sit uneasily, tapping into a biological parental instinct that tells us that children should be kept safe from harm, and a doomy sonic fog, with connotations of imminent danger, creeping around the ankles is something of a hard-wired trigger. ‘If I Can Do It’, then, is a thoroughly unsettling collage. The voices fade out, but deep rumbles of thunder persist, a different kind of threat as a storm breaks and it reminds us that there is nothing harsher, more devastating, than nature.

‘Skin’ provides some much-needed levity, overlapping myriad snippets of adverts for skin products by way of an intro before drifting off into soft bubble of drifting mellowness. There’s a spoken-word piece, from what initially appears to be lecture on skin but wanders more into the territory of a reflection on skin more generally.

With murky, clunking percussion and inaudible sampled dialogue running throughout its twelve-minute running time, the dark and impenetrable ‘Set free all the birds from your wife’s aviary’ is another level of unsettling, and it’s difficult to settle or adjust to despite the relentless booming plod that hangs in the background.

The sparse, clanging pulsing noises of the final track are hollow, empty, and even when joined by a slow-swelling tide if amorphous, extraneous noise, feels quite bleak and desolate, and the title, ‘We All Feel Happy Now’ feels grimy ironic. Gasping breaths, the sounds of panic, along with slivers of spoken-word narrative (which in passing includes the album’s title is dense and dolorous, and there is no joy to be found here.

And yet the album as a whole feels positive, if only in terms of its fulfilment of purpose as an experimental album with unsettling connotations, and sometimes, you just need a dark, desolate atmosphere to match the mood.

AA

The Incidental Crack - Before The Magic

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s