Posts Tagged ‘Worst Ones’

Philadelphia’s industrial sludge metallers WORST ONES is back with a new powerful single, entitled ‘Deny Reality’. The song channels the bleak pulse of Godflesh, the twisted hooks of Nine Inch Nails and Marilyn Manson, and the sample-driven chaos of Skinny Puppy, creating something both claustrophobic and hypnotic.

‘Deny Reality’ is a mid-tempo industrial sludge anthem built on relentless electronic percussion and skittering hi-hats that slice through layers of noise loops. The guitars have been shredded, resampled, and reconstructed into something ripped and inhuman. A towering chorus cuts through the haze, while a crushing breakdown in the middle drags the listener deeper into heaviness.

Lyrically, ‘Deny Reality’ confronts the culture of wilful ignorance that has metastasized into complicity. Lines like “Cast out your empathy, behold your tragedy” and “My nightmares are dreams, you deny reality” attack the blindness that sustains power and allows violence to thrive. The song reflects a world where denial has become survival, even as that denial drives us toward collapse. In its imagery of poisoned breath, hollow faith, and the erasure of empathy, the track positions ignorance not as escape but as the very engine of destruction.

In addition to its digital release, Deny Reality will appear on Abolish ICE, a compilation CD of Philadelphia-area metal, hardcore, and punk bands. The CD features 16 artists, including Trunk, L.M.I., Sunrot, Boozewa, SOJI, Detox Meds, and Get Well. Copies are available from the bands in exchange for donations to Juntos, a community-led Latine immigrant rights organization based in Philadelphia. Through this release, WORST ONES aligns its music with direct action, using its sound as both protest and support for those most affected by systemic oppression. With Deny Reality, the band continues the mission of turning noise into resistance. The result is not just another sludge anthem, but a dirge for a society choking on its own denial and a demand to confront the truth, no matter how unbearable.

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Worst Ones band photo(1)

Industrial Sludge Metal Band WORST ONES Unleashes New EP Cold Case Against Institutions Carrying Out Cruelty.

Philadelphia’s industrial sludge metallers WORST ONES are ready to come back with a new EP, after releasing the single ‘Vex’ in March this year. The new effort is called ‘Cold Case’ and it is composed by the title-track and a remix version of the same.

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‘Cold Case’ is a searing indictment of power, complicity, and the violence hidden in plain sight. Built on punishing industrial grooves, a 303 bassline, and layers of moody textures and noise scorched guitars, the track hits with a menacing, high energy momentum that channels the raw intensity of Twitch era Ministry and Skinny Puppy, the gritty pulse of Die Warzau, and the impactful aggression of The Prodigy.

Lyrically, it exposes how institutions carry out cruelty with precision while society turns away, pretending not to see the blood on its hands. The phrase “just another cold case” becomes a symbol of willful ignorance, where injustice is not buried because it is unsolvable, but because it is inconvenient. The chorusʼ imagery – “up against the wall / going in for the kill” – evokes violent repression and execution, while the line “every sick and nightmare reason comes to life” suggests how dark motives are brought to the surface and acted upon. Even in the face of horror, the masses “rally in their fervor,” a reference to mob mentality and blind nationalism. Violence is not just permitted; it is ritualized. Power is the culture, and the aftermath is “a feast for vultures.”

But at its heart, ‘Cold Case’ is a protest. It ends not just in defiance with “I wonʼt fall in fear,” but with a warning: “Now you’re sick, their eyes can see it.” The mask has slipped. Itʼs a refusal to be complicit and a demand to confront the truth, even when it burns.

‘Cold Case’ was written and recorded by Drew Ew. Mixed and mastered by Jared Birdseye. Promo Photography by Luz Karolina Sanchez. Live photography by Vinny Barreras. Cover and logo by Drew Ew except “deathmetallogo” by Darren Adcock. Music Video by Drew Ew.

WORST ONES is:

Drew Ew – Vocals, Guitar, Programming

Doppleganga – Drums, Programming

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Philadelphia-based industrial sludge metal band WORST ONES has unleashed the new single ‘Vex’. The track is a crushing, no-holds-barred exploration of Americaʼs decaying ideals. Drawing from the bitter truth of the American Dream’s collapse, the track delves deep into the rise of fascism and the heartbreaking act of protest by soldier Aaron Bushnell, who self-immolated in protest of the war in Palestine.

Musically, ‘Vex’ fuses the raw aggression of ’90s hardcore with the sludgy weight of doom and the mechanical grind of industrial metal, drawing influences from the likes of Biohazard, Eyehategod, and Godflesh. A standout element of the track is the signature “sickness” – rhythmic noise loops that twist and churn alongside the brutal guitars and drums, creating a suffocating atmosphere of unease. It’s a track thatʼs as punishing as it is poignant, reflecting the chaotic, fractured state of the world today.

WORST ONES has explained the meaning of the song as follows:

“’Vex’ is an expression of disillusionment and resistance under the weight of a system built on lies. The lyrics question what freedom is when we live in a country that supports widespread oppression and death. There’s a sense of despair in the verses and searching for answers in the chorus but in the end the song turns into a statement of defiance and resilience.

The opening line “Wasted life is on us, covered all up in flames” addresses the heinous amount of people killed in war and how “the powers that be” utilize new types of bombs that don’t even leave behind a body, literally covering it up.

The lyric “Do you really believe the reaper will bring peace” challenges the concept that violence and killing would bring peace. It questions the false idea that through war or death there can be an end to suffering.

The final lines “They want to destroy us, but we can’t be beat" reaffirm that despite everything, resistance is still possible and even inevitable to triumph. It’s a defiant statement in the face of a system designed to crush individuals, but where the refusal to give up remains unbroken. I wanted to end the song with a statement of positivity and strength.

The story of Aaron Bushnell, who self-immolated in protest of the war in Palestine, deeply resonated with me. He was someone who joined the US Army, maybe out of ignorance or patriotism, only to feel betrayed by what he was asked to do. His act of protest was a refusal to be complicit in a system that had deceived him, and that sense of betrayal and defiance is something Vex reflects. It’s a statement of refusal in the face of violence, war, and manipulation.

As a Syrian American, these themes aren’t just abstract ideas to me. I’ve experienced how propaganda shapes people’s perceptions, how violence is justified in the name of power, and how the most vulnerable are always the first to suffer. I wrote the lyrics with a universal approach to the words because it’s not just now, it’s about the cycles of control, war, and resistance that keep repeating. This song is my way of expressing frustration, grief, and the refusal to be silenced.”

‘Vex’ is accompanied by a lyric video – watch it here:

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Worst Ones band photo