Maud the moth, the solo project of Spanish-born and Scotland-based pianist, singer and songwriter Amaya Lopez-Carromero shares ‘Exuviae’, a final preview from her forthcoming album, The Distaff, to be released via The Larvarium (digital +CD) and La Rubia Producciones (vinyl), with Woodford Halse/Fenny Compton contributing a tape release on 21st February 2025.
Amaya has long used the mantle of Maud the moth as an alter-ego, a séance-like conduit to explore themes of rootlessness, identity and trauma. The Distaff in particular refers to the stick or spindle onto which wool or flax is wound for spinning, and an object which has historically been used across multiple cultures as a symbol wielded by the “virtuous woman”, an authoritarian ideal around which much of the trauma surrounding the feminine coalesces. The album takes the form of a sort of self reflective and surreal autobiography. It was in part inspired by the poem of the same name written by the Greek poet Erinna, as she mourns her friend’s loss of individuality and agency in exchange for marriage – and therefore safety and acceptance in the eyes of society.
About the track ‘Exuviae’, Maud the moth says;
“’Exuviae’ was written at dawn, after a sleepless night where defeat felt raw and hyperreal. The summer in Scotland is strange and the sun barely sets; A soft blue glow substituting night and weighing your chest down. Through the window, I could see the sky being torn and felt myself split.
At my feet; my old self, my skin: aglow and red.”
AA
Photo credit: Demelza Kingston
Aural Aggravation 