Posts Tagged ‘Shape Navigator’

Shape Navigator is the electronic alter ego of composer, musician and sound artist Peter Coyte, who initially announced himself with a series of ambient meets prog house singles on Guerilla Records in the mid-‘90s, subsequently collaborating with Coldcut, Seal, David McAlmont, Heartless Crew and poet/author Salena Godden.

The years since have seen Coyte establish a first-rate reputation as an electronic and experimental music artist, including significant contributions to sound art and installation projects, plus ongoing collaborations with filmmakers, theatre directors, choreographers and more. His work blends sonic experimentation with emotional depth, creating immersive experiences that engage and intrigue audiences.

Now, three decades since his last single, Coyte has today released a brand new one. ‘Sternenabfall’ (German for ‘Star Litter’) is available on Bandcamp, and is a radio edit of a track included on his long-awaited debut album, Journal, which is scheduled for release on 27th February. A full digital release will follow imminently.
‘Sternenabfall’ is described by Coyte as “a kosmische drone journey built from modular synths and an ARP AXXE. It was written for International Drone Day 2025 and was inspired by Harry Sword’s book Monolithic Undertow.”

The track title frames the music as a reflection on beauty and aftermath: a cosmic soundscape that mirrors humanity’s habit of leaving debris in even the most vast and sacred spaces, blending deep-time drone history with an ecological warning.

A video for ‘Sternenabfall’ has been created by sound artist @diz_qo, who cryptically comments: “If the Tea Rooms of Mars could sell you your wildest dreams. If a two dimensional Generation Game was placed on the Voyager disc. If the Shape of Navigation was a cuddly toy. If the stars fell one by one.”

The single also includes the original 20 minute live performance at International Drone Day 2025 where Shape Navigator devised the eventual track.

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SHAPE NAVIGATOR | Peter Coyte photo by Martin Elliott