Posts Tagged ‘Sett Records’

Sett Records – 22th February 2025

Christopher Nosnibor

Just over a decade on from their debut album, and just shy of seven years after their last release, purveyors of ethereal goth, Mercury’s Antennae mark their return with a new single in the form of ‘The Reflecting Skin’. The trio comprises Dru Allen and Cindy Coulter of This Ascension, and Erick R. Scheid of The Palace of Tears, and the fact they’re currently based between Switzerland and the US is a possible factor in their time away (not to mention the fact a lot of musical artists, especially those who are geographically disparate lost a lot of time and progress to a global pandemic).

As their Bandcamp page states, ‘Their sound incorporates influences from shoegaze pop, ethereal darkwave, and unadorned acoustic beauty, while also drawing inspiration from ambient and modern electronica’.

‘The Reflecting Skin’ brings pretty much all of this in a near-perfect three-and-a-half minutes. Starting out with a dense, chorus-soaked bass, loping drums and chilly synths conjure a dark yet dreamy atmosphere that’s quintessentially gothy but without being cliché. Dru Allen’s layered vocals spin evocative and mystical words gracefully through it all, to mesmerising, almost spiritual effect.

B-side, ‘AGALIA MMXXV’, is, as one might expect, a rerecording of the song from their debut album, A Waking Ghost Inside. It’s different enough to justify the effort: it has a more muscular, denser feel, altogether less brittle and cloud-like, with the bass and drums being sturdier and more pronounced, while still retaining the expansive shoegaze magnificence of the original. This, I suppose is telling in terms of reflecting the evolution of their sound.

That this single release is remixed by William Faith, ex-Faith and the Muse, suggests there’s an original version, which is – one would hope – going to feature on the forthcoming album, due for release in the spring.

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Sett Records – 23rd March 2018

James Wells

Acquainting myself with the band, it transpires that they were founded in the 90s, and that this is the ‘post-punk rock-noir’ outfit’s first album since Return to the Breath in 2000. 18 years? What the fuck have they been doing? I remember the music press making a deal of the five years it took for The Stone Roses to deliver The Second Coming, although that pales against the eternity My Bloody Valentine took to record the follow-up to Loveless. And as for The Sisters of Mercy… Well, they’ve been holding out 27 years now. Something about a contract for a million quid not being forthcoming, or something.

There are some clear Sisters influences to be found in the mix of Chandelier. They’ve got that echoey, chorus heavy guitar sound down and it’s an interloping weave or notes against a strolling bass which heralds the arrival of Chandelier, and its opening track and single cut ‘Beginnings’. Part ‘First and Last and Always,’, part God’s Own Medicine era Mission, part mid 80s Cult… it’s all there.

The one thing that’s clear is that the last 18 years haven’t been spent innovating or reinventing their sounds or bringing a dynamic, unexpected edge to the classic ‘goth’ template. There’s nothing wrong with the songs or their execution, other than the fact they sound painfully studied and generic. So, the press blurb references a lengthy roll-call of The Cure, Siouxsie and the Banshees, Cocteau Twins, Sisters of Mercy, The Joy Formidable and Republica (I’m really not hearing any Republica in the mix, although the shadows of Rose of Avalanche and Rosetta Stone before they went all NIN loom large).

While the sounds – the echoic, fuzzy valvey guitars, for example – are vintage, warm, organic, and the mechanised percussion sound is par for the course, the emotive edge of Chandelier feels excessively studied and lacking in personality. From the drum reverb to the controlled flange, everything about the album is familiar to the point of déjà-écoute. It’s very much rote and by-numbers. It’s got everything, apart from passion and energy. And originality.

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Autumn - Chandalier