French/Irish alternative rock-metal outfit Molybaron, known for their energetic, hard-hitting sound, return with their most intense track to date, the aptly titled ‘Something Ominous’.
‘Something Ominous’ is an explosive, riff laden track, describing a fabricated invasion unleashed upon an unsuspecting public. Designed to instil widespread panic, meticulously orchestrated events are broadcast, creating a convincing illusion of extraterrestrial aggression, strategically deploying staged encounters and simulated attacks. As fear spreads, the population succumbs to the manipulation, allowing the state to exploit the chaos and implement their agenda of control.
Norwegian progressive rock group AVKRVST will release their debut album The Approbation on 16th June, 2023. The Approbation is a concept album about a bleak soul who is left solely with his thoughts, isolated on a cabin deep into the dark forests, far away from civilization. The 49 minutes long concept album contains 7 songs, which take the listener though the thoughts of a man struggling towards the acceptance of death, being hauled into the abyss.
Previously released as a single on streaming services, the haunting new video for the album’s second single ‘Arcane Clouds’ is out now and can be seen here:
AA
At the young age of 7 years old, Martin Utby and Simon Bergseth made a pact that they would form a band when they got older. Now, 22 years later they’ve created an album inspired by everything they grew up listening to from Mew, Anekdoten and Porcupine Tree to Opeth, Neal Morse and King Crimson, yet unique in its own right.
The Approbation was written and recorded at a cabin in Alvdal (Norway) during a rainy, cold fall and winter. Simon (composer, guitars, bass and vocals) and Martin (composer, drummer and synths) were later joined by Øystein Aadland on bass/keys, Edvard Seim on guitars and Auver Gaaren on keys.
Sonically, The Approbation is a massive sounding piece of music. It’s everything from lush, melancholy moods to heavy, more aggressive atmospheres capturing the feeling of a cold, gloomy fall – a dark sky, filled with gazing stars above the mist.
Frost* recently announced ‘Day And Age’, their first new studio album in 5 years, set for release on the 14th May 2021. The band’s fourth record features Jem Godfrey once again joined by John Mitchell & Nathan King, as well as 3 guest drummers: Kaz Rodriguez (Chaka Khan, Josh Groban), Darby Todd (The Darkness, Martin Barre) & Pat Mastelotto (King Crimson, Mister Mister). The album also features actor Jason Isaacs.
Today the band are pleased to launch ‘Terrestrial’, the first single taken from ‘Day And Age’, and you can watch the video here:
AA
Jem Godfrey comments: “Terrestrial is about Donald Crowhurst who disappeared while competing in the Sunday Times Golden Globe Race never to be found.The last page of his logbook contained the words: “I have no need to prolong the game. It is finished – It is finished IT IS THE MERCY.”
‘Day And Age’ was recorded over the course of 2019 and 2020, featuring 8 tracks and striking cover artwork by Carl Glover of Aleph Studios (Steven Wilson, Marillion, Steve Jansen). The album will be released on Limited 2CD (including a bonus disc of instrumentals), Gatefold 180g 2LP + CD (with etching on Side D), and as Digital Album. Pre-order now here: https://frost-band.lnk.to/DayAndAge
The full track-listing is below:
1. Day And Age 11:49
2. Terrestrial 5:13
3. Waiting For The Lie 4:31
4. The Boy Who Stood Still 7:33
5. Island Life 4:14
6. Skywards 4:13
7. Kill The Orchestra 9:27
8. Repeat To Fade 6:14
In September 2019 Godfrey and Mitchell rented a cottage for a week in Helford, Cornwall and set about converting it into a recording studio. Day one saw them write and record “Skywards”, “Island Life” was written on day two. On day three, the duo wrote what was to become the title and defining track of the new album, “Day And Age”.
The following January, the band setup a new temporary studio for a further week in a converted coastguard tower at Dungeness in East Sussex. “We were 30 feet by the sea, next to a nuclear power station and a lighthouse, in midwinter. So there was hardly any daylight and the weather was dreadful”, laughs bassist Nathan King, “We wrote “Terrestrial” and “Repeat To Fade” there and you can definitely hear the bleak isolated oppression having an effect on us. The songs we wrote were far darker – the wind howling round the building at night, the power station generating crackles on the audio, a huge lighthouse next door sweeping light into the fog every 30 seconds and John screaming “ENJOY YOURSELVES YOU SCUM” into a microphone. It was absolutely brilliant!”.
Aural Aggravation 