Posts Tagged ‘Broken Glass’

San Diego/Los Angeles-based shoegaze outfit Distressor returns with their latest single, ‘Broken Glass’. Following their breakthrough collaboration with shoegaze giant Wisp on Tomorrow (via Interscope Records), the independent four-piece is carving a new lane for themselves—one that blends the haze and texture of shoegaze with the raw, melodic punch of early 2000s emo.

Formed in late 2017, Distressor has built a reputation for pairing massive, driving rhythm sections with high-register vocals and emotionally charged choruses that cut through the fog. Their 2023 debut LP Momentary established the band as one to watch in the new wave of heavy shoegaze, and ‘Broken Glass’ pushes that momentum further.

Originally a shelved demo, ‘Broken Glass’ came to life after new drum and bass parts lit a fire under the track, transforming it into a setlist staple almost overnight. Leaning harder into their emo roots, the band challenged genre norms on this one:

“We’ve grown a little bored of the classic soft shoegaze vocals,” says the band. “With ‘Broken Glass,’ we wanted something more pushy and hooky—a big chorus that hits just as hard as the guitars.”

The accompanying music video, directed by longtime friend Diego Guardado, captures the band’s raw live energy in an unpolished, visceral way. Shot in a small, sweaty LA room—while an island-themed church service played loudly (and out of tune) next door—the DIY spirit of the video reflects Distressor’s independent ethos:

“Even though music videos aren’t as popular anymore, we still love making them,” the band explains. “This one was nothing fancy—just us, some friends, a few Modelos, and a lot of sweat.”

With ‘Broken Glass’, Distressor continues to evolve beyond nostalgia, pushing shoegaze into modern, emotionally honest territory while staying true to their roots.

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Photo: Samuel David Katz

Buzzhowl Records – 24th January 2020

Christopher Nosnibor

Masks are generally used to either obscure, hide, or otherwise present an alternative identity. The press blurb which accompanies the debut release by Masks, which arrives in the form of a two-track (lathe-cut) seven-inch gives little away, beyond the ‘fact’ that Masks is a New Zealand based artist. Singular. Although this is immediately thrown into question by the statement ‘We’re very excited to be putting out Masks’ debut release. We’ve been fans of the people involved for some time now.’ This doesn’t discredit the singular aspect, but does compel questioning. Toward the end of any interrogation, it’s perhaps worth asking ‘does or should it matter?’ Probably not, although our instinct is to seek something upon which to pin an identity or similar concrete elements as identifiers, as a means of basing experience and engagement.

Most songs about weekends I’m aware of are jaunty, jubilant, celebratory tunes. Take Michael Gray’s 2004 chart smash ‘The Weekend’, accompanied by a video with a sultry secretary busting moves around a photocopier, for example Reverend and the Makers’ ‘Living for the Weekend’ was irksome wank, and ‘The Weekend’ by Interpol is one of their weakest tracks by yards. The emphasis is very much on the separation pf the working week, and the weekend, which for many is not the reality of how work and life balance.

Masks sounds like their weekend contains back-to-back funerals as they grind and hammer their way through a murky mess of guitar that’s more about atmosphere than definition or tune. The percussion is pure punishment, industrial-strength pounding, while a synth howls an anguish-inducing drone around a monotone vocal that carries hints of Brian Molko. Yes, ‘Our Weekend Starts Tomorrow’ comes on like a bleak industrial / post-punk Placebo and packs some serious punch in a lugubrious, mid-tempo but thunderously dense sense.

There’s a change of mask for ‘Broken Glass’, a drifting, beat-free swell of instrumental ambience. It’s pleasant, but dark and contrasts starkly with ‘Our Weekend Starts Tomorrow’ in its overt formlessness. Is it a different face of the ‘band’ / ‘artist’, or another identity altogether? It’s unquestionably a departure, and if nothing else, suggests that Masks are multi-faceted.. complex. Unpredictable. Subject to change. What lies behind the mask? Maybe all will be revealed in good time…

Artwork Credit_ Sven Soric