IN THE WOODS… reveal the video clip ‘The Things You Shouldn’t Know’ as the next advance single taken from their forthcoming new album Otra. The seventh full-length of the Norwegian avant-garde metal band from the city of Kristiansand has been slated for release on April 11, 2025.
IN THE WOODS… comment on ‘The Things You Shouldn’t Know’: "This single is an 8 minute power display as we take a dive back in time to bring back certain elements of ‘what used to be’; and it also demonstrates how we take our roots seriously", guitarist and keyboard player Kåre André Sletteberg explains. "This track is a hard hitting melodic piece of art with smooth and beautiful vocal melodies blended with black metal elements on guitars. It’s stretching from the darkest corners of the forest into the melodic meadows of our dreams and nightmares. When this piece was completed, we knew that due to the many elements, dynamics, and feelings worked into the song, it was a more than worthy opener for the album. Doom!"
German avant-garde metal pioneers DISILLUSION release and stream the limited instrumental edition of their acclaimed current album Ayam released on November 8, 2024.
DISILLUSION commented: “We are stoked that our first instrumental album ever is finally seeing the light of day”, singer and guitarist Andy Schmidt wrote. “The idea for this concept already came up during the recording of Ayam. We wanted to metaphorically let the music do all the talking. An abundance of details and intricacies within the tracks have now shifted to the foreground. This allows a quite different perspective on the album and illuminates previously hidden facets. Hopefully, you will find this as exciting as we do. Enjoy!”
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Two years after the release of Ayam, the fourth DISILLUSION full-length will have spun on record and CD players, and also been streamed countless times. Every melody, rhythm pattern, and note will have been listened to again and again. And yet, there are still many musical ‘secrets’ waiting to be uncovered and treasures to be found. With Ayam (Instrumental), DISILLUSION offer their most dedicated followers a beautiful map to find some of the hidden gems. Without the magnificent vocals, other aspects of the songs begin to shine, and new aspects of each track come to the fore. Nothing has been added from the original songs, only the vocals have been taken out of Ayam.
Who are we? Where do we go? These are the kind of existential questions that have arisen for many of us during these last years and that have also been haunting DISILLUSION during the creation of "Ayam". Without a chance to perform live and their personal lives also being affected by many restrictions the focus of the German avant-gardists shifted fully towards their band and the creation of new songs as well as recording. The effect is audible: Ayam sounds richer, even more multi-layered, and fully matured compared to the already highly praised previous releases. Yet the intricacies of their music are never just a means to an end, but more than anything all the complexity is subjugated to serve the inner feeling and cinematic aspect of each song itself.
The thematic questions and multi-dimensional layers of the songs are also reflected in the album title Ayam. The word derives from Sanskrit and means "This One". Pronounced in English it sounds like "I am", while reading it backwards turns it into "Maya", which is neither an accident nor explained by the band that obviously likes to offer riddles.
While DISILLUSION stuck closer together, they were also searching their hearts whether it was time to change old habits and try out something new. This led to the excellent decision to leave the mix of the album to different ears than the bands’ for the first time. Their choice could not have been better as renowned producer Jens Bogren (OPETH, KATATONIA, MOONSPELL) once again worked his exciting magic and enhanced their already unique sound by shining a sonic spotlight to the most important aspects such as the vocals.
Founded around singer and guitarist Andy Schmidt in the East Germany city of Zwickau in 1994, DISILLUSION pulled the rare trick of already becoming a staple in the field of avant-garde melodic death metal with the release of their full-length debut Back to Times of Splendor in 2004. The Germans have always been driven to seek new challenges and find new ways to evolve their music, which was exemplified by the following album Gloria that took radical musical steps in several directions at the same time. Gloria was far ahead of its time in terms of composition and sound, which becomes apparent when compared to GOJIRA’s masterpiece Magma for example that came out a decade later.
Despite their early success, DISILLUSION took a creative hiatus until suddenly returning in 2016 with the single ‘Alea’ and a new line-up that had changed in several positions. Quite likely even to the band’s surprise, a large and loyal fan base had formed during the decade of their absence, which showed in sold out shows and a highly successful crowdfunding campaign to realise a new album, which the Germans repeated for Ayam.
When The Liberation was released in 2019, critics described the album as a logical continuation of Back to Times of Splendor. Its songs reflected 15 years of additional experience in the musical development of Andy Schmidt. The Liberation turbo-charged all of DISILLUSION’s best qualities: the perfect interplay of massive metal with moments of pure euphoria and quiet introspection that create a sonic rollercoaster ride of passionate emotions.
With Ayam, DISILLUSION again sail among the stars to new stellar constellations of heavy sounds. While staying true to their general course, the German avant-garde pioneers also continue dropping anchor to explore new planets sparkling in space with a multitude of radiant sounds. Ayam offers exciting evolution rather than radical revolution, and DISILLUSION’s new musical forms and means are most beautiful and astonishing to behold. This album is a golden ticket to join the extraordinary journey of a life-time. Please feel free to check-in anytime you like. And with Ayam (Instrumental) you can even take the scenic route!
LASTER celebrate today’s release on Friday, October 13 of the their new album Andermans Mijne with a video clip for the title track. The stunning new full-length from the Dutch avant-garde metal trio is now also streaming in full on all relevant platforms.
Watch the video here:
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LASTER commented on the title track: “With our new single ‘Andermans Mijne’ we seek to reaffirm our love for twists and turns”, drummer Wessel explained on behalf of the trio and went on to state: “The title track sets a densely layered, hypnotic tone for what is to come. Both halves of the song teasingly object against the listener’s expectation. Expressions of cross-cultural lifestyles in late modernity, adultery, playful innuendos, and the self-other relation per se are deemed as central themes of the music’s dissonance, which become laid bare on this track.”
LASTER did not only stun the audience at Prophecy Fest last weekend with their memorable performance, but the three masked Dutchmen have also revealed ‘Afgelopen tijd’ (‘expired time’ or ‘time run out’) as the final advance single taken from their forthcoming album Andermans Mijne. The stunning new full-length from the avant-garde metal trio is scheduled for release on October 13, 2023.
LASTER comment: “On ‘Afgelopen tijd’, we have pinned down our passion for a hybrid of swing and groove”, vocalist and guitarist Nicky explains on behalf of the trio. “Perhaps it’s the thrust of the drumming, which might wake memories of the ‘Stadsluik’ EP. Those two nocturnal tracks that seemed to be buried in the background of a wacky after-party. However, our guitars flow more than ever as crisp as high speed internet. They are accompanied by prominent bass lines that are eager to reject any atavistic dictate. So what does the clean singing command? Nothing. It should rather be perceived as a free roaming element that gets mixed up with an increasingly repressing harshness.”
Aural Aggravation 