Posts Tagged ‘1984’

Toronto tech death band Apogean has unveiled the third single, ‘Hueman (The Pleasure of Burn),’ off their debut record, Cyberstrictive, slated for 08 March 2024 via The Artisan Era physically (vinyl, CD) and digitally. The track, along with its accompanying music video, contributes to the album’s core theme of exposing the dark side of technology and digital poisoning by painting a dystopian picture of Blue LED Light Fallout.

Apogean States: “‘Hueman (The Pleasure of Burn)’ tackles the aftermath of a lifetime of exposure to blue LED light. Describing the physical ailments and the effects of poisonous photoradiation on the human populace, this song and video serve as a metaphoric representation of what awaits a generation plugged into cyberspace. Musically, this piece marks a turn towards adding more black metal elements to our music. This allows us to use more atmospheric choruses and expand the depth of feeling that we can provide artistically.”

Watch the video here:

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Apogean is a five-piece band from Toronto, Ontario, seeking to transcend metal’s traditional realms with their musical machinations. Drawing inspiration from a broad spectrum of artistic influences, this Canadian ensemble is set to embark on an unending journey, exploring the intersections of progressive metal, technical death, deathcore, and blackened death, positioning themselves at the forefront of heavy music’s ever-evolving landscape.

Despite their recent formation, Apogean features members bringing years of honed skills, diverse collaborations across genres, endorsements from leading musical instrument brands, and notable ventures into video game collaborations and licensing original compositions featured on ESPN. Their debut EP, Into Madness, was released in June 2021 through Blood Blast distribution, with mixing and mastering from renowned metal producer Zack Ohren (The Faceless, All Shall Perish, Immolation, etc.).
Cyberstrictive, the debut album, is Apogean’s first venture with the new vocalist Mac Smith, known for his involvement in various projects and recent stint as the live vocalist for Decrepit Birth. Beyond his vocal responsibilities, Mac, with a background in managing notable metal bands, also independently oversees the management of Apogean.

Across 10 songs, Cyberstrictive discloses the dark aspects of technology, taking a broader look at its impact on our minds, bodies, and souls. Drawing significant inspiration from Ray Bradbury’s Fahrenheit 451 and echoing the dystopian excerpts of George Orwell’s 1984, the album explores the hazards of modern technology, covering risks such as sensory damage, psychological trauma, desensitization, information paradoxes, predatory practices targeting children, addiction complexities, and the erosion of creativity. Ultimately, the album culminates in a reflection on overarching manipulation and concludes by addressing the burdensome aspects of technology, employing wordplay and metaphor to illustrate the overwhelming drawbacks outweighing the benefits in the modern digital world.

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Southern Lord & DVL Recordings

12 June 2021

Christopher Nosnibor

Reviewing Record Store day releases feels a shade cruel in some respects. Since they pretty much all sell out within a couple of hours, with participating record stores looking like a cornfield stripped by locusts by 11am after hungry collectors and traders have queued round the block since dawn to buy up anything and everything they can get their hands on (more often as not nowadays to resell at massively inflated prices. But who do you blame for this? The system is screwed), reviewing any RDS release feels like a posturing gesture of ‘look what you could have won’. But some releases warrant a wider exposure, ad perhaps, ultimately, a wider release, and this is one of them.

Neon Christ formed in 1983 and having taken a break in 1986, they’ve been more or less dormant ever since, with their career’s recorded output consisting of just one eponymous ten-track EP released in Jube ’84 and an appearance on a compilation album: On Labor Day 1984, the band recorded four tracks in the home studio of Nick Jameson, of Foghat fame, and from this, ‘Ashes to Ashe’" was included on the International Peace/War compilation released by MDC’s R Radical Records.

Guitarist William DuVall wrote an album’s worth of songs in 1985, but only ‘Savior (Drawn In)’ was ever recorded in what would be the band’s final studio session on 26 December 1985 (the master tapes were lost).

And so 1984 contains everything committed to tape by Neon Christ which still survives (which was all recorded in 1984, bar the one 1985 track which doesn’t feature here – which is fair enough, as it sits outside the band’s one explosive year).

Side one features the original Neon Christ 7” EP, and side two contains the four songs of the Labor Day session.

These recordings are over thirty-five years old, but they’re still dynamite. The early-mid eighties really were the apogee of the hardcore punk scene, and it’s perhaps integral to that history that bands burned brightly and briefly. Scenes are rarely best represented by recorded output or longevity, but the immediate buzz. Anything left for posterity is a bonus, and 1984 is that bonus that documents the brief and explosive existence of Neon Christ.

That first EP is fiery, frenetic, and raw as hell. Of the ten tracks, only one breaks tr two-minute mark. It’s rough and ready, the production isn’t so much primitive as non-existent, ad everything really is played at a hundred miles an hour as they blast through back-to-back blasts of fury ass mere minute long each. They do go a bit mellow and indie at the start of their titular track, but in no time it’s hell for leather thrashing, and overall, the pace of this album is blistering.

The Labor Day EP is slower, denser, less primitive. The songs feel more realised, and I would say ‘more produced’ – but it’s all relative, since the production prior was truly zero. The vocals and playing are both still rough and ready and nothing on offer here could ever be described a slick or polished. This is proper hardcore and is more than merely a historical document.

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