Kajasa Lindgren – Womb

Posted: 27 June 2018 in Albums
Tags: , , , , , , ,

Hyperdelia – HEX002

Christopher Nosnibor

It seems to be something almost unique to the world of experimental and avant-garde music, that the titles are directly descriptive, functional, literal. Imagine if the practise was adopted in the genres of rock or indie. How would releases like Angsty shit ripping off the Foo Fighters, Adolescents who are pissed off because we can’t get laid and Ten three-minute derivative jangly guitar-based songs about life in college be received? Actually, they’d probably still sell infinitely more units than releases like this, but the point of differentiation is that this is art, and commercial considerations really are not leading factors in determining the work or its release into the public domain.

We learn that Womb is ‘a musical narration for abstracted ears and bodies – engulfing a listener simultaneously in subaquatic sonic environments, distant dreams of childhoods, memories and voices from the unknown: where time and space fold into each other.

The initial material of field-recordings of nature and body sounds, interviews and compositions has been re-recorded and re-amped underwater in a swimming pool – and has been re-arranged (partly by way of the impulse responses of the pool) now for stereo home listening.’ And so we’re very deeply into literal territory here.

It’s watery and muffled, womb-like every second of the way. ‘Cocoon’ sounds like someone typing – quite slowly, unsteadily – while slow ambient music with whale song and slow, arrhythmic beats pulse, all heard with cotton wool in one’s ears. ‘The Garden’ is a long, slow ebb and flow of elongated dronage, spiralling contrails of vapour and mist, an eddying vortex of mid-range that twists ethereal, occasionally rent with bulbous belches of sound which echo out beyond the reaches of perception.

The beats are glitches, pulses, crackles and thudding heartbeats, incongruously urgent and pacey and at odds with the sedate sonic swirls that hover and hang, Samples, muffled and heavily filtered, are abstracted amidst twittering birdsong, wide-sweeping drones, ominous fear tones and unsettling extranea.

The focus is beyond soft: it’s submerged, out of reach. Everything about Womb is warm, supple. There is a sense of depth – immense depth that extends beyond sound to the absolute core of being. A slow immersion that works its way inside, Womb is both meditative and introspective, and while it’s very much conceptual, it succeeds independently as a soundwork.

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Kajasa Lindgren – Womb

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Comments
  1. oxenvex says:

    It is pretty comforting I feel.

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