Posts Tagged ‘Sirens Of Light’

Gothic rock band, Sirens Of Light have just unveiled their cover of the Led Zeppelin classic song, ‘In The Evening’.

Says Sirens Of Light main member, Andy J. Davies, “I have always thought this was possibly their best work and has always seemed to be underrated. This version is based on the original studio recording and the live version from the Knebworth concert in 1979… which I listened to live from the garden of my home as I was too young to be there!”

Check the video here:

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Sirens Of Light is a gothic rock band from London, originally formed in 2004.

Drawing on influences from the earliest days of gothic rock and the 80’s/90’s London Goth and Glam scenes – Sisters Of Mercy, David Bowie, Leonard Cohen, Southern Death Cult, March Violets, Rose Of Avalanche, Bauhaus etc. Their first album, Nullus Magis Gothica was recorded in 2004 and saw a very limited release in 2005. It is now almost impossible to find……

Sixteen years later, in 2021, after the lost original recordings were discovered by chance, a new re-mixed version of the record was released on November 8th, 2022.

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Christopher Nosnibor

I feel like I should keep a tally of the number of cover of Mission of Burma’s 1981 song ‘That’s When I Reach for My Revolver’. For an obscure band whose back catalogue is impossible to find, this song seems to exist in the ether, performed live on recent tours by The Sisters of Mercy, as well as Graham Coxon, as well as being subject to a truly blistering rendition courtesy of Moby during his 90s grunge phase on Animal Rights – and I have to say, that version is hard to beat. And no, not like Hard-Fi, who blow. Funnily enough, pretty much all of the covers have been better than the original, which is something of an inversion of the norm. I’m of the opinion that when it comes to a great tune you a) can’t beat the original b) can’t go wrong with a cover. So what is it with this track? Unfulfilled potential in the execution of the original? Perhaps.

Sirens Of Light slow it down and goth it up, hard – to the point that the verses are barely recognisable and the choruses are dark and grinding. It’s once of those covers where you don’t even recognise the song until it reaches the chorus. What have they done?  They’ve certainly taken ownership (note the title change, too), stamped their mark, and all that cal. In terms of execution, it’s taut, dense, bleak, brooding. It sneers and it’s imbued with a lip-curling sneer.

While it works presentationally and sonically, it feels like they’ve stripped the guts and angst out of the song. That doesn’t mean it’s bad, and it’s all a question of intent. The chorus is well-executed, and hits hard… but seems a shade lacking somehow.  Blown away? Maybe not, but it’s still got a fair bite.

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