Posts Tagged ‘InsideOutMusic’

French/Irish alternative rock-metal outfit MOLYBARON, known for their energetic, hard-hitting sound, will release their new album Something Ominous on September 15th on InsideOutMusic/Sony Music. The announcement of the new album comes following the success of the recent single and video ‘Something Ominous.’

Over the course of two subtly radical records, 2017’s self-titled debut and 2021’s acclaimed The Mutiny, this eclectic quartet have casually bent and broken all the usual rules of modern heaviness.

In 2023, they return with their third and most fervently diverse record to date, Something Ominous: further evidence that MOLYBARON are operating in a field of precisely one.

When MOLYBARON released The Mutiny in 2021, the world was still reeling from the effects of a global pandemic. Nonetheless, the album struck its mark with ease, garnering countless glowing reviews and comparisons to the likes of System Of A Down, Tool and Muse. Two years on, Something Ominous reveals a band that have sharpened their focus and found their groove. Comprising ten succinct and characterful songs, which range from thunderous acts of aggression to noirish, mutant balladry, MOLYBARON’s third full-length is invigorating and immersive in equal measure.

“I don’t think our sound can be defined by one genre,” says guitarist/vocalist Gary Kelly .“It’s certainly not by design. I write and produce all the music in the band, but I’m strange – I never really listen to music. I have no idea what’s hot or what’s not these days. I suppose this makes it easier for me to create songs, I’m not trying to mirror any one style, I just write as it comes to me, probably based on what I hear floating in the ether; in the cinema, on the TV, on the elevator, it really doesn’t matter!”

MOLYBARON are also pleased to share the second single from the album.

You can check out the lyric video for ‘Breakdown’ here:

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Photo Credit: Teddy Masson

Former Sound of Contact members Simon Collins and Kelly Nordstrom returned this year with their new band eMolecule and their debut album The Architect which was released in February (InsideOutMusic).

Today the band have shared the video for ‘Prison Planet’ which you can watch here:

The Architect, the debut album from new progressive rock outfit eMolecule (former Sound of Contact members Simon Collins and Kelly Nordstrom) is out now! Their newest visual offering ‘Prison Planet’ is a rebellious anthem that speaks to the struggle of being confined to a system that doesn’t allow for growth. It’s a call to action for those seeking autonomy and true freedom, even within the confines of our current world.

The two long-time collaborators met in Vancouver, British Columbia, Canada in 2005 and have been working together ever since. Originally brought together to work on Simon’s solo career, the spark of creativity between Simon and Kelly was undeniable. They soon began writing original material together, much of which would end up on Dimensionaut.

With a successful progressive rock album under their belts, Simon and Kelly were determined to continue the work they started with Sound of Contact. During the UK production of Simon’s 4th solo album Becoming Human, Kelly recorded a demo of the song ‘eMolecule’ in a flurry of inspiration. With this new offering, Simon and Kelly decided their way forward was as a duo and they would pool their best material under the name eMolecule.

In the summer of 2020, eMolecule decided it was time to begin work on their debut album and that it was to be a concept album. Meeting in person at Simon’s studio in Ireland, the duo spent a solid month writing the concept and music start to finish. Over the following months, they completed writing, producing and performing The Architect both remotely and together in Ireland.

The Architect features intense, heavy guitar and drum performances as well as deep, atmospheric and emotionally driven arrangements. From start to finish, eMolecule’s first offering captivates the listener with infectious vocals, dynamic guitars and ultra-modern production from the epic opening track ‘eMolecule’ to the powerful climax of the closing track ‘Moment of Truth’. This band and album are set to take the listener to another dimension.

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Photo: Nick Elliot

Poland’s pioneering and leading progressive rock band Riverside finally return with a new studio album entitled ID.Entity, to be released via longtime international partners InsideOutMusic on January 20th, 2023.

The band have also revealed first single ‘I’m Done With You’ which you can check out here:

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Austin’s …And You Will Know Us by the Trail of Dead announce their first quadraphonic surround sound studio album – XI: Bleed Here Now – due out 15th July 2022 via InsideOutMusic in Europe & Dine Alone Records in North America. The new LP is their 11th, was produced by Trail’s own Conrad Keely and Jason Reece alongside Charles Godfrey who also produced 2020’s X: The Godless Void and Other Stories, and was mastered by Scott Sedillo and KamranV at Bernie Grundman Mastering. XI: Bleed Here Now is QUARK encoded to play in both stereo and Regular Matrix quadraphonic sound. Along with the news, Trail of Dead is releasing lead single “No Confidence” today b/w “Salt In Your Eyes” (so perhaps not so much 2 singles as a more traditional A and B / AA side as it would have been back in the day).

Watch ‘No Confidence’ here:

…and ‘Salt In Your Eyes’ here:

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Pure Reason Revolution recently announced their fifth studio album Above Cirrus will be released on 6th May 2022 via InsideOutMusic. The is the follow-up to 2020’s Eupnea, which was the band’s first record since reuniting in 2019. This time around, Jon Courtney, Chloë Alper & Greg Jong (who returns as a full-time member for the first time since the ‘Cautionary Tales For The Brave’ EP) find themselves adapting to a world that is radically changing before their eyes, and on this new record, exorcising the isolation and uncertainty in search of something greater.

Today the band are launching a brand new single titled ‘Phantoms’. Watch the video, once again created by Thomas Hicks, here:

The band are also about to head out on a European tour alongside Gazpacho in April 2022. Find the full list of dates below:

8th April – Club Cann, Stuttgart, Germany

9th April – Colos-Saal, Aschaffenburg, Germany

10th April – Columbia Theater, Berlin, Germany

11th April – Die Kantine, Cologne, Germany

13th April – Mezz, Breda, Netherlands

14th April – Hedon, Zwolle, Netherlands

16th April – Petit Bain, Paris, France

17th April – Earth Theatre, London, UK

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Toundra are enchanted to be releasing ‘El Odio, Parte III’, the third and last part of their 22-minute-long piece ‘El Odio’ off of their new album HEX. For the video of ‘El Odio. Parte III’, the band once more collaborated with Asturian director Jorge Carbajales again. Watch the video here:

And the band is just as excited to be announcing the launch of the full short film ‘El Odio’ on January 10th (1PM CET) via Youtube.

HEX will be released on January 14th, 2022 via InsideOutMusic.

See Toundra live at the following dates:

15.01.2202 Inverfest, La Riviera, Madrid.

22.01.2022 Nau B1, Granollers, Barcelona.

29.01.2022 Gernika, Iparragirre.

11.02.2022 Sevilla,Sala X.

12.02.2022 Málaga, La Trinchera.

18.02.2022 Granada, Teatro Caja Granada.

19.02.2022 Córdoba, Hangar.

29.04.2022 Zaragoza, Las Armas.

30.04.2022 Barcelona, Apolo.

13.05.2022 Murcia, Sala Garage Beat Club.

14.05.2022 Valencia, Sala Moon.

20.05.2022 Pamplona, Tótem.

21.05.2022 Orozko

17/18.06.2022 ADN Festival, Zamora.

03.07.2022 Viveiro, Resurrection Fest.

22.07.2022 Kanekas Metal Fest, Cangas Do Morrazo.

23.07.2022 Castelo Rock, Muros, Galicia

31.07.2022 Low Festival, Benidorm.

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Photo by Sergio Albert

After a painfully long and undeliberate break, Toundra return from the isolation of their homes to present their new album Hex, which is set for release via InsideOutMusic on January 14th, 2022.

Toundra practically disappeared when the world stopped in March 2020. The outbreak of this global pandemic caught them loading their van to present their last reference in Europe so far: “Das Cabinet Des Dr. Caligari”. After presenting it in Madrid, Zaragoza and Barcelona, ​​on the same Monday that they returned to their daily jobs, the band decided to cancel their umpteenth European tour. Things looked bad. What happened next, we all know, and it is too hackneyed and serious a matter to be dealt with in a record press release.

Toundra returned to their homes. This time divided between the band’s native city of Madrid and the Cantabrian coast, where two of its members settled just before the squares and streets were empty. The distance and the difficult situation did not make them relax and sit by idly. If Toundra have shown one thing since their formation in 2007, it is the band’s hyperactivity and the need to keep moving forward, looking ahead and not at their shoelaces.

The band members bought the necessary equipment to be able to set up small and indecent studios in their homes and began to send ideas for new songs in a chaotic way at first. Without knowing very well where they were going or knowing very well what they might find. In the summer of 2020, the band began meeting in Madrid again to review the material that had been sent. The composition sessions were accompanied by constant talks about where to go with this eighth studio album (if we count “For those still living”, the album that was released by that side project called Exquirla).

The band states:

“Writing each new Toundra album means doing a job to find each other as a band. From our most innocent early days we have been self-righteous enough to take every step that we have taken as a band too seriously maybe. Every time we think about writing new albums we even suffer for it. This album means a job in which the four of us have rediscovered what we wanted to do without really knowing how we did it. The ideas were coming up in a chaotic way during the first months until little by little we saw how everything was being arranged in various notebooks and on the blackboard of our premises. Finally, the extreme cruelty that we can see around us (closer and closer) served as a catalyst to be able to give order to a lot of ideas, songs and, ultimately, to this new album. We are looking forward to finally presenting it to the fans now.

The composition work led them to finish the demos for their new album “HEX”, under the always faithful sight of Raúl Rodríguez, in May 2021. The next step was to trust Sati García again, who transferred them to Cal Pau studios again. (Vilafranca del Penedés, Barcelona) and Ultramarinos Costa Brava (Sant Feliu de Guixols, Girona) to record the seven cuts of this new album. Seven cuts that actually make up five songs. On July 30, 2021, the band obtained a new master’s degree and Mr. García could finally sleep peacefully. “HEX” will be released on January 14th, 2022 via InsideOutMusic. See the new album artwork here:

Today, “El Odio. Part I” is released as the first single from Toundra’s new album Hex. It is the first of three singles that will later form one long piece of music. For the video of “El odio. Parte I” the band collaborated with Asturian director Jorge Carbajales. Watch the video here:

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Hex

Liquid Tension Experiment, the legendary supergroup comprised of Mike Portnoy (Transatlantic, Sons of Apollo), John Petrucci (Dream Theater), Jordan Rudess (Dream Theater), and Tony Levin (King Crimson, Peter Gabriel) recently announced their return with a new album titled ‘LTE3’, due to be released March 26th, 2021 via InsideOutMusic, twenty-two years after the bands’ last studio album.

Today, the band are pleased to share the first video from the album for the single “The Passage of Time.”  You can watch the video, created by Christian Rios, here:

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Swedish progressive rock instrumentalists Gösta Berlings Saga are soon to release their upcoming sixth studio album Konkret Musik next week (July 24th, 2020) worldwide via InsideOutMusic.

In order to further pre-promote the release, GBS are therefore releasing a new single/video for the song “To Never Return” today. Check out the cool video-clip directed by Martin Gustafsson here:

GBS checked in with the following comment about the track:

"Our third and last single off ‘Konkret Musik’ is the partly bare-bones, partly grandiose ‘To Never Return’ – a song centered around a circular, pulsating and dark pattern leading up to an ending with a crescendo to die for.

The concept of a musical scorched earth-policy, where one’s vision is always forward-looking, is in the video symbolised by a modern heist – in which all bridges are burnt in search of the ultimate musical experience. The video is as much a tribute to film classics such as Du rififi chez les hommes as well as to more modern depictions such as La Haine – with a tongue in cheek approach.

‘To Never Return’ is our call to arms to never look back."

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Long Distance Calling have launched the new video for latest single ‘Immunity’.

Germany’s most internationally successful instrumental rock act, recently are set to release their seventh studio album ‘How Do We Want To Live?’ on 26th June 2020.

They’ve just launched the third and final track to be released prior to the album’s release, and you can watch the video for ‘Immunity’ here:

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The band comments: ‘Please check out the 3rd single of our upcoming new record "How Do We Want To Live?".

The song is called "Immunity" and we hope you’ll enjoy this tune as much as we do!

The video is very special for us. Some of the footage was shot by our community during the Covid19 pandemic.

Many thanks to all the talented filmmakers out there. On one hand the video deals with the fact, that the digital world we are living in has so much to offer as we are able to communicate with people from all over the world and share important information.

On the other hand all the technology and digital platforms are being misused to spread lies, hate, weird conspiracies.

Of course we are an instrumental band. But that cannot stop us from shouting against racism, xenophobia, homophobia and all that bullshit that is going on during these strange times right now.

So let us use this technical progress and this crisis to make this world a better place!’

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