Posts Tagged ‘Dead Can Dance’

MOON FAR AWAY impressively deploy their ability to write captivating acoustic songs with their new advance single ‘To Count Her Names’. The gothic folk duo’s new track is taken from their forthcoming new album Acou (‘Listen’), which is chalked up for release on March 13th, 2026.

MOON FAR AWAY comment: “A cold neo-folk hit in the best traditions of the genre — and the lyrical heart of the Acou album”, male vocalist and multi-instrumentalist Count Ash states. “Yes, grim folkers with long beards sometimes fall into sadness, too. This song features guitarist Roman Khomutsky from the famous Moscow black metal band Uratsakidogi.”

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Some of the richest music is also the hardest to categorise. With their fifth full-length Acou, MOON FAR AWAY embark on a musical exploration of the magical nature of sound. The band from the sub-arctic city of Arkhangelsk in Russia’s north is studying the mythological cycle of the universe by assigning certain sounds and musical styles that range from the archaic and folklore to liturgical, classical, and even experimental music to each stage of its existence.

MOON FAR AWAY were inspired by the finding that the world begins and ends in many ancient legends with a sound – from the utterance of a word to actual music or even the big bang of science. On Acou, which means ‘listen!’ in Greek, the word (lógos) and music (mousĭkḗ) are as fundamental to the fabric of the universe as the classical elements of earth, fire, water, and air.

MOON FAR AWAY have occasionally been referred to as “the heart of Russian gothic folk” or “The Russian Dead Can Dance£””, which are notions that still ring true regarding Acou. Their music appears to be both light and even dreamy on the surface, yet at the same time it comes with a dignity, gravitas and passionate seriousness that set these songs apart from simple pop; despite sounding captivating and melodic.

MOON FAR AWAY have already released four studio albums, a live album, several singles, and numerous collaborations since their inception in 1994. The band from the old Russian harbour city on the White Sea shore has also performed at multiple festivals across Europe. MOON FAR AWAY are taking their inspiration from the folklore and unique ancient heritage of their native lands in the North of Russia.

The North is obviously an area of harsh climatic conditions but also of intense human creativity that found its expression in rich poetry, music, visual culture, and wooden architecture. Unlike central Russia, there was no slavery in the North and to this day, this wide region preserves a most interesting and unique cultural heritage with roots reaching back into pre-Christian time.

MOON FAR AWAY have dedicated themselves to the preservation of local traditions, both musically and culturally. By combining traditional European culture with the soundscapes of the Russian North, and influences from classic to neofolk as well as modern technology, the music of MOON FAR AWAY offers a unique artistic expression where the East meets the West.

With Acou, MOON FAR AWAY present their richest and most complete album so far that will find old and new friends from a wide range of stylistic preferences that certainly include fans of DEAD CAN DANCE, ALCEST, WARDRUNA, and many others – although the unique band from Russia’s North does sound different from all of those mentioned above. There is only one way to find out: "Acou"! Listen!

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Wrong Way Records – 16th September 2016

Christopher Nosnibor

Described as ‘full to the brim with blood, sweat and tears and intertwined intricacies of the history of the known world’, Byzantium is the debut album from Welsh trio Lights That Change. The title itself brings with it immediate suggestions of ancient history and classical antiquary, while the band’s name is a fair representation of their shimmering, lustrous sound. These are not songs concerned with the everyday or the contemporary, but with timeless themes. Laced with an abundance references and invocations of classical deities and elements and intangibles woven into the lyrical fabric, the songs transcend the lives of mere mortals, conjuring ancient mysticism and long-lost myths and legends. 

It’s an album that doesn’t readily fit into any direct lineage: it’s certainly not in the folk style, traditional or contemporary, and nor is it strictly shoegaze or dreampop, but draws on aspects of them all. The execution is exquisite. The delicate arrangements and washes of reverb which surround Mandy Clare’s magical vocals imbue the album’s opening song, ‘Again’ with an air of mysticism. The guitars remain at a respectful distance, interweaving detailed latticeworks of texture.

‘Dea’ (on which OMD’s Mal Homes, who lends his drum programming skills to the album receives a co-writing credit) is fragile and sparse, with the layers of vocal harmony hinting not only at Slowdive but also Ultraviolet-era All About Eve. There are very few acts which could pen a song which calls to Greek goddess Athena and also quotes from the Latin hymn ‘Dies Irae’ without sounding affected or pretentious: this is intelligent, artful songwriting, evocative and contemplative.

If ‘Voices’ offers a more robust sound, driven by a strolling bass and rolling rhythm, it’s still characterised by fractal guitars that flicker and turn. Elsewhere ‘Golden City’ tells of fallen empires and builds drama and majesty over a Curesque bassline, while ‘Union (For Louise)’ is a perfect dreamy pop song which radiates a sense of joy.

Balancing delicacy and depth, Byzantium is an album not shackled by earth or time, floating in the stratosphere.

 

Lights That Change - Byzantium