Posts Tagged ‘Flux’

Eiga – 11th April 2025

Christopher Nosnibor

Bound To Never Rest follows 2022’s The Fall of Europe and for this, their second release as RAMM (formerly know as Il Radioamatore), core member Valerio Camporini F. and Roberta D’Angelohe are joined by Filippo De Laura who brings percussion and cello, and Caroline Enghoff, who provides voice and lyrics on ‘Hanging Rock’

Here, they promise to takes us ‘to a very contemporary feeling scape – of being constantly on the verge of seeing your world collapse – but it does so through very a unfamiliar sonic landscape, so different that we struggle to put a label on it… The core of this work is to represent this ‘permanent state of flux’, a paradoxical condition we’re all experiencing now, when being unsettled is the constant in our lives.’

They go on to explain that ‘To achieve this purpose RAMM started with a scribbled set of compositional rules, with the idea of building a living organism, in constant evolution, some rules were abandoned along the way, some were retained.What comes through at the end is the sensation of being swept away by meandering, random, river. Trying to hold on to something, only to have to adjust to a new setting. It’s a compass with its needle forever trying to find its north.’

This, it seems, is like life itself. Even periods of apparent monotony, where it seems that life has been consumed by the treadmill of working, eating, and sleeping, and running just to stay still, the likelihood is that it’s your ability to see beyond the blinkers that’s been stolen rather than it being the case that there’s nothing else happening. In fact, the world about us is an eternal maelstrom. However, the last few years have witnessed the turbulence increase to a roar that’s beyond deafening, and it’s little wonder that there’s a mental health crisis assailing western society, and people are immersing themselves in more or less anything mindless in order to avoid news.

The title ‘Disturbed Tea Time’ somehow captures the way we often crave normality and routine in our lives as a means of having a sense of grounding, a sense of control over our lives. But when those familiar routines are disturbed, it can often feel catastrophic. And the more precariously balanced our safety is, the harder it becomes to deal with those disruptions calmly and objectively. Many of us experienced the destabilising effect of a rapidly-changing situation and contradictory guidance and (mis)information during the pandemic, and the ’shock and awe’ strategy being employed by the Trump administration right now is a perfect – and terrifying – example. People become more fragile, more sensitive, more susceptible, more fearful and less able to cope even with small changes when the entire world around them ceases to provide the comfort of familiarity. Sonically, this first track it’s a deft, almost soothing, minimal electronic composition at first, before doomy, overloading guitars rupture the tranquillity. And so it continues, smooth, airy vistas of serenity float in an easy, linear fashion, unexpectedly dashed and smashed by roiling distortion. The metaphor may be fairly straightforward in terms of concept, but it’s executed in such a way that when the blasts of noise to explode, you feel the tension through your whole body.

‘Permanent State Of Flux’ washes in on delicate strings, subsequently joined by piano, and a persistent pulsation, and as the piece progresses, the layers, textures – and moments of dissonance – build, while ‘Good Morning Ansa’ takes the form of a more darkwave synth piece with a flickering beat in the background. But this, too, changes midway through, with both the instrumentation and mood making a shift.

The only piece with lyrics and vocals, ‘Hanging Rock’ is tense, dark, and discordant. But none of the works are any one thing for their duration, and in this way, the structure of not only the individual pieces and the album as a whole come to represent the overarching theme.

There is a perfect restlessness about this album, and while for the most part volume, harsher textures, and discord are used only sparingly, rendering it a comparatively subtle work, the fact that any emerging flows are swiftly disrupted make it something that holds the focus and keeps the listener alert and just that bit on edge for its duration.

AA

a1036422041_16

1st December 2023

Christopher Nosnibor

Ah, the power of a strong intro… and the power of nostalgia. The beefy riffage that launches ‘Flux’ by London act Shockpowder… it’s bold and it’s grungy, and the vocals are dreamy melodic, drifting, and I’m instantly dragged back to the early 90s.

Formed in 2015, I wonder if the members of Shockpowder would even remember the early 90s, but they clearly have a strong affinity, and note that they’re ‘heavily influenced by post rock, shoegaze and metal bands such as God is an Astronaut, Alcest and Slowdive.’

What I get from ‘Flux’ is a wistful, emotive element which is carried on some amped-up guitars that are simultaneously jangling and loud, and in many ways reminiscent of early Ride, and, perhaps rather less well-known, Eight Storey Window. Why they never gained more recognition, I will never understand, but then, the era was littered with great bands who were criminally underrated. How long did it take for The God Machine’s greatness to be recognised? Too long, and even now, they seem to be something of a cult for connoisseurs.

It’s not just a question of sound: any musician who’s spent enough time immersed in listening and paying attention to detail, and given the right gear, the right amp, the right pedals, the right production, can recreate the sound of their influences. But what counts is the feeling. ‘Flux’ is imbued with that vaguest, most inaccessible and yet essential ingredients – emotion. There’s something that goes beyond the minimal lyrics, reflecting on the ephemerality of life, something that goes beyond the distortion and reverb, hitting that indefinable spot of resonance. You don’t hear it, you feel it.

After this long, and having amassed a considerable catalogue, Shockpowder probably aren’t about to go stratospheric any time soon, but it’s the world’s loss, ultimately, because ‘Flux’ is, quite simply, a great song.

AA

a1289201518_10